Whistleblower Reveals the Largest Mass Surveillance Operation in History and the Coming Slave State
7/16/20261 hr 11 min
If surveillance makes us safe, why are so many people murdered in prison? Flock cameras and the coming slave state.
Noel Pichardo is a former police officer, husband, and father born and bred in Rhode Island. Now working as a caregiver, he is also an amateur filmmaker and writer who turned to YouTube to share his perspective and tell stories he felt weren’t being heard.
Benn Jordan is an musician, scientist, and investigative video essayist who manages the popular YouTube channel @bennjordan. While previously recognized for his extensive music career, Jordan's work is heavily grounded in his scientific credentials, which include specialized research into acoustics, macroeconomics, and the physiological mechanics of light, radio, and audio waves. Leveraging his expertise in signal analysis and reverse-engineering, Jordan has also established himself as a formidable cybersecurity researcher.
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First 90 secondsTucker Carlson· Host0:00
If you're over forty, you probably were assigned the George Orwell novel Nineteen Eighty-Four, not written in nineteen eighty-four, written in nineteen forty-nine right after the Second World War, and it is famously a picture of the dystopian future where the state controls everything. And if you can think back, the novel, not quite as widely assigned now, your kids are probably not reading it. If you're under forty, you may not know exactly what it is, except it's like a synonym for the state being overbearing. Big Brother is watching you. But it's worth remembering what Nineteen Eighty-Four describes because it is so, so prescient. It does not describe a lot of physical repression by the state. In the end, there is torture and there are allusions to killing. But the state in Nineteen Eighty-Four doesn't spend a lot of time putting gun barrels in people's faces. It doesn't need to. What it does instead is spy on them. There are cameras everywhere in Nineteen Eighty-Four, something called the telescreen, which when the novel came out in nineteen forty-nine, seemed very space-age. It was a screen, and it listened while you spoke, it eavesdropped on you, and it bombarded you with pre-recorded propaganda messages. And again, when this came out, it was impossible to imagine, say, the iPhone, which is listening to you at all times, or one of those seat back screens on Delta Airlines that's yelling at you without your permission