Admitting a bias, then pivoting
38:03–38:59 · 56s
Nate confesses he usually dislikes genre-hopping albums, then realizes Raye’s theatrical cohesion and voice override his bias—framing the record as a cinematic experience.
38:03–38:59 · 56s
Nate confesses he usually dislikes genre-hopping albums, then realizes Raye’s theatrical cohesion and voice override his bias—framing the record as a cinematic experience.
We use cookies to understand how you use our platform and to improve your experience. Click "Accept All" to consent, or "Decline non-essential" to opt out of non-essential cookies. Read our Privacy Policy.