From 2D to 3D: the leap
53:07–55:02 · 115s
Shifting from Artful Escape’s side-scrolling "tracking shot" to Mixtape’s full 3D camera let Johnny play cinematographer, obsessing for months on shots and pacing to keep every section tight.
53:07–55:02 · 115s
Shifting from Artful Escape’s side-scrolling "tracking shot" to Mixtape’s full 3D camera let Johnny play cinematographer, obsessing for months on shots and pacing to keep every section tight.
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