Particle Data Platform

Behind the Script: Allyson Dwyer on Adapting American Afterlife

7/14/20264 min

In this behind-the-scenes conversation, co-writer Allyson Dwyer shares the creative journey of adapting Pedro Hoffmeister's novel American Afterlife into the gripping scripted audio drama. Alongside fellow writer River Donaghey, Allyson breaks down the unique challenges of transforming a richly detailed novel into a performance-ready script, reshaping scenes, building tension through sound, and writing dialogue that brings the story to life for actors and listeners alike. Whether you're a fan of American Afterlife, an aspiring writer, or fascinated by the art of adaptation, this episode offers an inside look at how an award-worthy audio drama is made.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Clips

Transcript preview

First 90 seconds
  1. Speaker 10:01

    This episode is brought to you by Progressive Insurance. Do you ever think about switching insurance companies to see if you could save some cash? Progressive makes it easy to see if you could save when you bundle your home and auto policies. Try it at progressive.com. Progressive Casualty Insurance Company and affiliates. Potential savings will vary. Not available in all states.

  2. Speaker 20:20

    Why does Progressive work hard for truckers? Because truckers unite the world. They unite kids with their first drum sets and parents with earplugs. But truckers can't do this if they're not on the road. That's why Progressive has over three hundred and sixty heavy truck employees to help truckers stay on time and on track. Quote truck insurance today in as little as eight minutes at progressivecommercial.com. Progressive Casualty Insurance Company and affiliates.

  3. Allison Dwyer· Guest0:47

    [gentle music] Hi, this is Allison Dwyer, and I am one of the writers for American Afterlife, along with River Donaghey. I'm a writer and more formally a playwright. That's more of my focus is theater writing. At the beginning of the pandemic, I got into audio writing. I wrote an experimental full-length audio play. I really love dramatic writing. I just always have loved drama. I would go into these, like, tight-knit chat rooms of people who were really into cartoons, and we had, like, a wild imagination. I started to appreciate theater for things other than writing, use of space and time and the collaborative nature of it. Very gratefully, River reached out to me about co-writing

We value your privacy

We use cookies to understand how you use our platform and to improve your experience. Click "Accept All" to consent, or "Decline non-essential" to opt out of non-essential cookies. Read our Privacy Policy.